While
the conventional area to find a series would be television, the idea
of developing a web series has attracted thousands from writers to
actors to production hands. Those who would have headed to California
years ago instead are honing their craft and building their resume
from their home town with just their talents, some equipment and an
internet connection.
--- One of the most recent local series to
make their debut in this fashion is Raising Kayn. Exploring the
paranormal misadventures of an abnormal family, investigating zombies
and werewolves, fighting off ninjas, conducting experiments from the
basement and trying to find the answer to a strange disk. I got the
opportunity to chat with creator and one of the stars of the project,
Taunya Gren, about her career in acting and the series. All with
pictures from the set you can check out here, and check out new episodes of the series every Friday.
Taunya
Gren
http://www.raisingkayn.com/
Gavin:
Hey Taunya! First thing, tell us a bit about yourself.
Taunya:
Well, I’ve been an entertainer in one way or another all my life.
As a working actress for over 36 years, but also as a singer with the
band Puzzlebox and as an artist and animator for video games. Turns
out my kids (all but 1) are also entertainers.
Gavin:
How did you first take an interest in acting, and what were some
early inspirations?
Taunya:
My first “acting” memory was when I was 3-4 years old. My
mother had taught me how to read and I was reading one of those old
classics comics of A Midsummer Nights Dream. I decided that
it needed to be real and so I locked myself in my room and worked on
acting out all the characters. From there the bug never left. Early
inspirations were Shakespeare, Plato and Socrates. I loved the
challenge of the archaic language and making it real. I also really
admired Maureen O’Hara, James Mason and Lawrence Olivier when I was
very young. I feel they formed a lot more of who I am as an actress
than just about anyone else.
Gavin:
Did you seek out college for it, or mainly head toward independent
acting classes?
Taunya:
I did indeed go to college for acting, as well as taking independent
acting classes. As a professional performer you are always a
student. There is always something new to learn about presenting the
human condition. I also was fortunate to have an acting mentor who
had come from England and so learned a very different acting style
than a lot of the American teachers were teaching. A much more
technical style.
Gavin:
You did a lot of Shakespeare and contemporary works early on in
California theater, how was it for you performing and growing in that
competitive environment?
Taunya:
It taught me very quickly that to be seen or treated as a
professional you had to behave as a professional. Work ethic will
make or break you in that environment almost more than skill or
talent. It also made it clear that to be the “best of the best”
you had to keep learning. You can’t stop or you become stale and
that’s another death sentence in the California acting
scene.
Gavin:
When did the interest turn from theater to film, and how did you
start to get involved with that aspect?
Taunya:
In my mid 30’s I’d done so much theater that I started to get
frustrated at the constraints that stage work puts on your acting.
It has to be bigger and louder so that the audience can see what
you’re doing. For me acting is about taking a piece of paper and
making it a real, living, breathing person and I’d had to modify
that reality for theater. I did a few film things then and realized
that THAT kind of acting was what I was looking for. Film and
theater are very different styles of acting. So, I made the slow
move to film and television and haven’t gone back.
Gavin:
What eventually led you to moving out to Utah?
Taunya:
A combination of my oldest daughter living here and the cumulative
effects of the writers strike and threatened actors strike in
Hollywood. You know it’s bad when the person next to you at the
temp agency is a name actor from “ER.”
Gavin:
How was it for you doing a cold-start, getting involved with local
theater and film?
Taunya:
It’s been interesting. In Hollywood it’s so big that it’s
frequently a cold start unless you’re a name. Here, it wasn’t as
hard as it is there. Just jumping in and going to auditions as well
as being willing to become involved with smaller projects has helped
me meet and work with a lot of very talented Utah filmmakers and
actors. For my new web series “Raising Kayn,” I also cast my net
pretty widely and got a hugely skilled cast of some of the best
acting talent in the state. That helped as well because now I know
people here who have been generous enough to help me navigate this
new market.
Gavin:
When did you start taking to directing films on your own?
Taunya:
Actually, I don’t direct. I produce. A number of years ago I was
an associate producer on a film called “The Other Side Of Heaven”
where I got to see how those producers, who are the real deal,
actually work. I decided that I wanted to have that control over the
quality of my projects and began producing at that point.
Gavin:
What were some of your first films, and how was it for you learning
the craft?
Taunya:
My first films were rather varied in quality. Some I’ve put on my
resume, some I haven’t. Someday in person ask me about “Deborah
The Goblin Queen” or the bus film. Early films were “Thunder
Calls,” a period Irish piece that was a lot of fun if filmed in
freezing temperatures, “Dancing On Coals” where I played the
fantasy dream girl hairstylist in the negligee. I found I loved it
though. It was definitely a challenge at first to change an acting
style I had been doing for over twenty years. Once I’d learned how
things look on camera though, the crossover became much
easier.
Gavin:
How did the idea come about to start doing web series?
Taunya:
Last summer another web series came out called “Dr. Horrible’s
Sing Along Blog.” Which is wonderful and everyone should see. My
kids and I loved that and began talking about maybe doing something
like that ourselves.
Gavin:
Where did the idea for “Raising Kayn” come from?
Taunya:
The original story was actually a concept myself and my kids worked
on together. A very wacky comedy… but from there it actually grew
to become somewhat of an autobiographical piece about how my family
has needed each other to get past the hard times, to fight off the
monsters of our world. It’s a fun and funny story, but underneath
there is a foundation of real issues. Loss of a father and a
husband. Betrayal, reacting to hurt and pain in different ways and
how we work through that together.
Gavin:
What was the process like for you in writing it, and did you know
where you were going with it at first or did it develop over
time?
Taunya:
My mother was a writer and both my sisters are screenwriters… but
I’ve always been a performer so writing was somewhat intimidating
to me. I’d decided to discipline myself to just sit down and write
one scene every day to try and overcome my fear of writing, which
also meant I hadn’t a full idea of where it was going. I had the
general outline, but some of the story elements definitely came over
time. And it worked! Fortunately my children had a hand in
submitting ideas that really made the story fun.
Gavin:
What was it like casting the series, and how did you finally end up
with your leads?
Taunya:
Casting was a lot of fun. Being new to this area, most of the
talent I had never seen before and it was really a pleasant surprise
to see the quality of Utah acting talent. For the leads, well… for
the family I cheated and cast myself and my kids… since it’s
about myself and my kids. The character of Wilbur was a challenge
because he had to be able to martial arts AND act well enough to
portray one of the more complex characters involving both broad
comedy and subtle threat. We auditioned a ton of people for that
role and just couldn’t find the right person. And then we saw this
actor, Matthew Mangeac, on the new web series “Lifeless” and
liked his intensity. We called him in to audition and found out not
only can he do the intensity, he can also do the comedy like nobodies
business. The character of Dr. John Allen was actually the first
person cast after myself and my kids. I worked with John Hinckley on
my first project when I’d moved to Utah and really felt he had that
great mix of scholar and humor that was required for that character.
Two of the main bad guys also went through extensive auditions. For
the Candy Man (our version of the Smoking Man from the “X-Files”)
we cast Brandyn Cross. A man who seemed kind of quiet and nerdy
when he’d first come in to the audition… but then he put on this
character that was just SO THREATENING! He was perfect. And then
Adapa, the first of all vampires. 8,000 years old and the most
powerful creature on the planet. Once again, we just couldn’t find
someone who could do his very quiet intensity. And then after three
different casting sessions for this character, Jeff Johnson, a local
casting director auditioned and nailed it. I’d been worried we
were going to have to go to LA for that part and was very relieved we
didn’t. Our third main bad guy for season one is the evil Manan.
Our very first audition we saw a young man named Thomas McMinn whose
air of serpentine threat was so wonderful that we cast him in that
role instantly.
Gavin:
Is it difficult putting yourself in a lead role and producing as
well, or does it make it easier for you knowing how you want it to
play out?
Taunya:
It’s both. Easier because I have the control to make sure the
vision is kept intact and harder because the responsibilities of a
producer mean I have less time to focus on the acting. Fortunately
our very talented director Colton Tran had the same vision that I did
for this and so it’s been much easier than it would have been
otherwise.
Gavin:
Who did you get together for your crew and how was it working with
them throughout the series?
Taunya:
Our crew we got in several different ways. I’m also acting in
another web series called “Huntsville” that will be out towards
the end of September. Most of that crew I pirated for Raising Kayn
as well because they were just so fun to work with. My director had
actually played my son in a film I’d done this last spring and I’d
seen his directing talent then and asked him to be the director.
Word of mouth is how we found the rest of the crew. We had one snafu
when our initial Director of Photography and Gaffer both left halfway
through do to previous commitments. Fortunately we were able to
replace them with the wonderful Steve Berlin as Gaffer and Ryan Capel
as Director of Photography so the quality stayed very high. We even
had a guest DP by the name of Thor Wixom for one shoot day which was
a lot of fun. He’s quite a professional and was really wonderful
to work with.
Gavin:
You've officially wrapped on the series. What was the overall
experience like for you?
Taunya:
The cast and crew became like my family and I miss them all
horribly! That’s different than most of the California productions
I’ve been on. Something wonderful about this market.
Gavin:
Now that its finished and episodes are coming out, what's the next
project you have lined up?
Taunya:
A-HA! It’s not finished just yet. We still have a lot of
editing, scoring and effects to do for the later episodes. But…
once that’s all complete my next project is an ad campaign called
“Middle Aged Angst.” A campaign to counteract the invisibility
of women over 40 in the media.
Gavin:
Going state-wide, what are your thoughts on the local film scene,
both good and bad?
Taunya:
I’ll be honest here there are both wonderfully good and
destructively bad things I’ve found here in the Utah film
community. The good is the relationships the people here allow
themselves to make with their peers and the sheer talent of a lot of
the people is very high. That really surprised me. I’ve worked
with people here every bit as talented as any I worked with in
Hollywood. The bad side of that is that I’ve found there are many
cliques with a rather exclusionary view of each other. I think that
is going to (or has) harmed the Utah market. I’ve also found in a
few a less professional work ethic than I’m used to in California.
Part of a small market mentality that needs to change if we’re ever
going to compete with Hollywood for real.
Gavin:
Anything you believe could be done to make things better than they
currently are?
Taunya:
Absolutely. My advice to any Utah filmmaker or actor is to treat
every project you’re on, no matter how small or large as if it’s
a big budget feature. When you behave in that professional a
manner, that level of project is drawn to you. And be willing to
cross the clique boundaries. They only limit you both as the creator
of a project and as someone auditioning or submitting to a project.
It’s easy to go with what and who you know… but not always the
best choice.
Gavin:
What are your thoughts on the film festivals that come through every
year, and are there any changes you wish you could make?
Taunya:
I love Sundance. It’s a little different than any other festival
I’ve ever attended. I don’t know that I’d change it other than
perhaps to open it to more genres than currently really get play
there.
Gavin:
What's your take on the Open Scene Nights currently happening at
Tower Theater?
Taunya:
I haven’t been to any of them yet as I’ve been so busy producing
“Raising Kayn.” I love the concept though! What a wonderful way
to get the word out that we have talent here.
Gavin:
A bit on theatre, what's your take on the theatre scene here in
Utah?
Taunya:
I’m very pleased to find it much more dynamic and respected than
the theater scene in Los Angeles. More on par with how things are in
the Bay Area actually.
Gavin:
What can we expect from you the rest of the year?
Taunya:
“Raising Kayn” finishes airing in December at RaisingKayn.com,
after which it will be released on a season one DVD. Tell your
friends. I’m also acting in the new horror web series “Huntsville”
which you will be able to see at HuntsvilleSeries.com at the end of
September. In November I will begin releasing the ads for “Middle
Aged Angst” and am now writing the second season of “Raising
Kayn.”
Gavin:
Aside from the obvious, is there anything you'd like to plug or
promote?
Taunya:
Yes, very much so. On the “Raising Kayn” website we have a page
for our special charity. Child Find Of America. This world has real
monsters and Child Find combats the monsters involved in child
abduction every day. It’s an A rated charity that I feel is
vitally important. I can’t imagine anything in this world worse
than losing any of my children. To all your readers, please click the
link and read and perhaps even donate. As a note, my money is going
where my mouth is. “Raising Kayn” is donating 10% of all the
producer’s profits to Child Find Of America.