Ask
any shop owner what they think of graffiti, the majority will start
listing complaints from being an eyesore to simply destructive to
demanding those responsible should be locked up with the same who
would assault and rob. Pretty harsh criticism all around. But one
local artist chaning the idea of graff art being a burden, and turning it around into a business.
--- The man going by
the name Burcs has been taking his artwork around town in a very
different fashion. Painting commissioned murals ranging from detailed
designs all the way down to carefully painted animals. Taking an artform that some view
as an urban scourge and transforming it into an operational
investment for stores and companies. I got an opportunity to chat with the man
himself about his years doing Graff, starting up his own business,
the work he's done around the city and his thoughts on the art
itself. Along with several pictures of his work for you to
see.
Burcs (Photo by Ricco Cordova)
http://www.urbandenial.com
Gavin:
Hey Burcs! First off, tell us a bit about yourself.
Burcs:
I am an artist, muralist, designer, musician, DJ, and promoter, born
and raised in Salt Lake City.
Gavin:
What first got you into art, what were some of your early
inspirations, how did you get drawn toward Graffiti and how did you
first get involved with it?
Burcs:
I was always intrigued by the colorful writing on the walls and
trains I saw around me as a kid. Once I understood the culture I
wanted to get involved, started painting with a small crew of guys
and it took off from there.
Gavin:
In your experience, is there any real way to learn Graff, or is it
more trial and error?
Burcs:
Definitely trial and error. Graff is more about personal style than
technique for me, and can control can only be gained through
experience.
Gavin:
When you create pieces, do you put them on paper first or do you
work from vision in your mind?
Burcs:
In the past I spent a lot of time in the pre-planning phase, trying
to layout as much as I could before hand. Now I tend to be more free,
I find an idea, photo, or color scheme I want to work with and let
the process unfold until I arrive at a product I am happy with. It's
more about the process for me now, the actual act of creation, as
opposed to the final product.
Gavin:
How do you decide where to create a piece and how it will look on
that particular site?
Burcs:
Most of my work now days is commissioned so much of that is part of
my clients needs, and sadly I have very little time to work in the
traditional Graff venue. My favorite spots were and still are trains.
Metal just has a grit and rawness to it that contrasts so well with
the colors and geometry of Graff pieces.
Gavin:
What are your thoughts on Graff as a whole in Utah, both good and
bad?
Burcs:
Utah is an interesting place for all of the subculture scenes,
especially Graff. It seems like people here are twice as passionate
as most people I meet in other cities. I think it has a lot to do
with the undertones of cultural suppression that exist here. People
look for an outlet and when they find it they are so relieved they do
it to the nth degree. It can be both good and bad, it provides for
the amazing wealth of talent we see in the Graff scene, but it also
makes for small town ego's that feel like they have something to
prove.
Gavin:
Does it ever frustrate you that its not really recognized as a major
art form here, or do you enjoy that underground status?
Burcs:
There is a fine line that exists with Graff. In it's truest form
graffiti is graffiti, it's illegal and destructive, period. I love
the underground status of true graffiti, it's raw, free, and
beautiful. Graffiti ART is the more evolved form, and closer to
murals, the public recognition was slow at first (as I think it was
often confused with true graffiti) but it has gotten a lot more
support in the last few years.
Gavin:
Do you ever look over other Graff around the city for what others
are doing, or do you concentrate more on your own pieces?
Burcs:
Evolving my own personal style is always top priority, but I'm
always noticing new work in the city, the internet has really shifted
my focus on what others are doing nationally and around the
globe.
Gavin:
What made you decide to take up design in college?
Burcs:
I spent a year at a university after high-school and with no formal
art training outside of Graff, it felt like it wasn't the place for
me at the time. I transferred schools and found my place in graphic
design. There are so many aesthetic parallels drawn between the two
(Graff and design) it was a perfect fit.
Gavin:
How did the idea come about to start up Urban Denial?
Burcs:
I was doing commissioned mural for friends and family so often I
decided to start legitimize it as a business and now with the
design/art aspect added it has become a full time endeavor and my
primary source of income.
Gavin:
What was it like for you first starting it up and producing new work
for clients?
Burcs:
It had it's ups and downs, major learning experience, and going
straight to freelance with little industry experience right out of
school was a HUGE task.
Gavin:
What's the reaction been like from people when they see the artwork
you produce?
Burcs:
I've been blessed to receive positive feedback from most of the
people that view my work.
Gavin:
You also offer services for people who have been tagged by
destructive Graff or vandalism. What made you decide to start that
project, and how has that offer been received?
Burcs:
It was something that was geared more toward the messy, ignorant
gang graffiti/true vandalism in the public forum that takes away from
the community and offers no aesthetic value. It is meant to replace
vandalism with public works of art.
Gavin:
You also do a lot of design work for businesses like T-shirts,
flyers, postcards, etc. What other kind of services do you offer for
businesses?
Burcs:
Murals (commissioned and original), Art (gallery shows, artist representation, etc.) and Design (any an all graphic design
services).
Gavin:
Going local for a moment, what's your take on our local art scene,
both good and bad?
Burcs:
It's slowly growing in to something more, I think like much of Salt
Lakes Culture it is in a renaissance.
Gavin:
Is there anything you believe could be done to make it more
prominent?
Burcs:
Much of what I have seen happening in the last year: artist unity,
more support from local businesses/galleries and events has helped
the scene to grow.
Gavin:
What can we expect from both you and Urban Denial the rest of the
year?
Burcs:
I'm knee deep in new projects and prospects. Urban Denial is growing
daily and has already seen a huge addition to the portfolio in the
first two months of this year. I just partnered up with a friend to
start a production/promotion company and we already have three massive
projects on the calender. My music projects have really been taking
off as of late with my solo project 19.22.3. And my collaborative
effort, The Low End Cartel, which has been booked for five major shows
already this year.
Gavin:
Aside the obvious, is there anything you'd like to promote or
plug?
Burcs:
Too many things to mention, best to just keep an eye on these sites
for the web, social media, my blog and my music. Also,
"Evenings", the weekly Art/Live music show every Friday
upstairs at The Hotel Bar & Nightclub at 10PM.