Thursday, November 4, 2010
Salty Horror Film Festival
Posted
By Gavin Sheehan
on November 4, 2010, 5:40 AM
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The
haunting season may have just passed us, but that doesn't mean the
horrifying acts can't continue, especially when it comes to movies. And while the average movie-goer has probably burned themselves
out last week on freshly released material and classics at home, the
hardcore set of horror fans are always seeking out something new.
Lucky for them, as well as the thousands of local film fanatics
impatiently waiting for late January to come, there's a festival this
weekend that should satisfy both.
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--- The Salty Horror Film
Festival kicks off tonight for the next four days with an array of gritty, gruesome and
gasp-filled flicks. With at least twenty different full-length films, several shorts, a 48-Hour like competition, special guests, plus a surge of side-events and activities to compliment the screenings, this weekend is literally a paradise for those who adore the gore. I got a chance to chat with festival creator Mario DeAngelis about his career and the coming events, plus his thoughts on Utah film and the approaching festival season.Mario
DeAngelis
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http://www.saltyhorrorfilmfestival.com/
Gavin: Hey
Mario! First thing, tell us a little bit about yourself.
Mario:
I'm originally from Chicago and moved to Utah in 2001. I started
doing film by just meeting others who wanted to do and just work.
I've produced over 100 short films, feature length documentaries,
music videos, PSA's and commercials. I have made short films in all
genres including horror.
Gavin: What
got you interested in film, and what were some of your early
influences?
Mario:
One of my influences early on was Orson Welles and Fritz Lang.
Hitchcock's early work has been driving me for the fact that
simplicity is the key to great story telling. Lately I've been
producing short films with one location, two or three main
characters.
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Gavin:
Did you seek out any college for film, and if so, what was that
experience like for you?
Mario: I
never went to film school. I took two film classes at the U, but
producing projects is my film school and working with professionals
is how I learn. I feel I'm working with the best in Utah. And I learn
from working with UVU film students and students from the art
institute just as much as working with associate cinematographer TC Christiansen and producer/director Richard Dutcher.
Gavin:
How has it been for you producing and directing your own films over
the years, and entering festivals yourself with your own
works?
Mario: Producing
my own projects and helping others is a fantastic life. However, it
is hard. Over the years there are the times you get into festivals
ans sometimes you don't. The key is not to give up, quit or get mad
at the rejection. Learn from it. That's all you can do.
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Gavin:
What made you get into the staffer role for film festivals and
helping produce them behind the scenes?
Mario: I
started helping Leslie Harlow with the Park City Film & Music Festival
is 2006 as a producer. At that time I had no plans or desire to do my
own film festival. So in essence I accidentally started learning
about film festival production. Then I became in charge of an
internal film awards program at East Hollywood High School. I decided
to do the SHIFF last August and then the ball started rolling from
there.
Gavin: How did the East Hollywood opportunity come about, and how has it been for
you teaching over there?
Mario: I won't
talk about East Hollywood at this time. There is no connection
between them.
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Gavin:
For those who may not be aware, tell us about the Salty Horror Film
Festival.
Mario: My
main influence for starting SHIFF is anyone who has started a film
festival. They are my influences, and include Robert Redford, Robert Rodriguez and Leslie Harlow. The festival itself is a competition
based festival like any other festival but there has never been a
horror film festival in Utah. This is our first year, first time
ever. One of the
main things that needs to be said is I have a lot of help. About sixteen
people have been consistently doing specific tasks and pushing us
along from month to month since August 2009.
Gavin:
How did the concept for it come about and what was it like for you
developing it?
Mario: In
2009 I came up with the concept to do a horror film fest based off of
how popular haunts are in Utah. Also many filmmakers I know make
horror films. Those factors and the fact that no one has yet
attempted it led me to the decision that there should be an outlet
for indie horror in Utah and open that to the world. In the end we
received about forty submissions from the U.S., Canada, Australia and the U.K. making what started out to be a domestic fest competition into an
international film competition.
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Gavin:
You've got eight different categories for submissions in various
fields. Why did you choose to have so many, and how has it been
receiving and previewing those submissions?
Mario: Submissions
started coming in and the quality far exceeded our expectations. I do
have my favorites but only want to highlight films based on some
unique factors. "Evil Things" is a film shot in the same manor as "Paranormal Activity" and "Cloverfield" and is quite enjoyable. A local
feature the maze highlights top quality on a low budget, top Utah
talent and a decent production value. "The Maze" features Richard
Dutcher as an actor, but Richard is also a producer and director. He
directed our opening of festival feature "Evil Angel" screening tonight at 7:30 over at The Broadway. "Evil Angel" has garnered six awards in
other horror festivals all over the country. Although not in
competition, it stars Ving Rhames, shows high quality from an
independent film company right here in Utah. The awards amount is a
normal amount of awards for a film festival.
Gavin:
this year you have an event called the Demon Chaser Challenge. What
exactly did that entail and what were some of those submissions
like?
Mario: We are
very excited about the Demon Chaser Challenge. Brian Higgins organized this contest of making a horror film in 36 hours. Seven teams
competed in this contest and the quality was actually very high for
the teams. These awards
will be given on Sunday night at 7PM at The Tower the same night as
the Salty Horror Awards. All DCC submissions will be given
and audience award will be chosen as well. It was a successful
experiment and Brian Higgins did an amazing job running that
competition.
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Gavin:
You also had a Miss Salty Horror competition, along with other
tie-in events over the course of the year. How were those events and
who eventually won for 2010?
Mario: Actually there
is no Miss Salty Horror this year. This competition is being revamped
into a reality web series to start some time after Sunday. This
series will feature contestants vying to be Miss Salty Horror and the
winner of the series will be crowned. More attention was
placed on production the "2011 Girls Of Salty Horror Calendar". The
calendar, produced by myself and Jonathan Rogers, was a huge success
and can be purchased through the website and at the festival. Other
events throughout the year were designed to market the brand and it was
successful. My staff was very integral in the success of all these events including a concert at Burt's Tiki Lounge two weeks ago.
Gavin:
You have a number of venues on board to showcase the films including
the Tower, Hive Gallery, SLC Library, etc. How was it getting
everyone on board and planning out the schedules?
Mario: The Hive Gallery and the Salt Lake Film Society have been very gracious and brave to let a first year
festival into their venues. Emily Edmunds at Hive, as well as Amy
and Tori at SLFS have all seen the vision of the SHIFF and
believe it all to be a win-win. These venues will hopefully continue
working with Salty Horror as it grows. The process has been fairly
simple to work with them.
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Gavin:
You've also got some guests coming in for the event. Who can people
expect to see and what will they be doing? And are there any other
last minute surprises people can expect?
Mario: Along
with G Tom Mac and Brooke McCarter we have two very popular comic
book names attached to the festival, Ben Templesmith and Ben McCool.
These two top horror comic heavy weights collaborated on the title
"Choker". Templesmith hit gold with his very prominent title 30 Days Of
Night which he was co-creator of. These two artists are being
sponsored by the SHIFF and Black Cat Comics. They can be seen twice
during festival. There will be a panel discussion about horror comics
on Friday at the Downtown City Library at 3PM, and again for a
signing at Black Cat Comics Saturday morning at 11AM. The panel
discussion will include Radio From Hell movie critic Jeff Vice, owner
of Black Cat Comics Greg Gage and indie filmmaker Loren Teryl,
moderated by myself.
Gavin:
Going local for a bit, what’s your opinion of the local film
scene, both good and bad?
Mario: The
local film scene is very exciting and growing - fast. In all genres
the film scene in Utah is actually exploding with multiple film
projects with a range of budgets from Hollywood pictures such as "127
Hours" to low-budget indie horror such as "Blood Fare". All of these
projects include the best crew and talent in Utah and many of them
have something to do with Salty Horror. Producer/director JA Steele
of "Blood Fare", which is in post production and shot completely in
Utah, directed a picture Denizen which will be a late-night screening
at SHIFF. From panel discussions to Q&A with indie filmmakers, they will
have their chance to meet other filmmakers, producers, directors who
are all looking for their next project. Maybe, just maybe, one of the
films screening at SHIFF will get picked up for distribution which
for every filmmaker, is the end game.
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Gavin:
Is there anything you think could be done to make it more
prominent?
Mario: The
Utah film scene can be made more prominent by Utahns spreading the
word, attending the festivals, Facebooking, YouTubing film festivals
such as the SHIFF, the Salt Lake City Film Festival, the Park City
Film & Music Festival, An October Evening and multiple other festivals
running in Utah throughout the year. Sundance Film Festival is a
phenomenal opportunity for filmmakers. Along with Sundance and
Slamdance, filmmakers have opportunities all year long that can put
Utah on top of the answer board to the question: "Where should I
go shoot my movie?" The answer is Utah. Utah has crew, cast,
locations, post, everything everyone needs to make a movie. Now
Utahns need to attend all festivals offered and show other great
states for filming that Utah can compete with their great states. The
Utah Film Commission is doing a fantastic job of getting more
projects to come to Utah and trying to raise the states incentive
program. This will continue if Utahns attend these festivals and show
Hollywood Utahns want more festivals, bigger films and more films to
come here.
Gavin:
Are there any local directors you feel are at the top of their
game?
Mario: Filmmakers
who are at the top of their game are directors such as Richard
Dutcher, director/producer of "Evil Angel", "Gods Army" and "Brigham City".
Richard is making his next picture as we speak and recently did a
campaign on a site called Kickstarter and that campaign was very
successful. His film "Triptyc" raised over $7,000 in just
two days. TC Christiansen is also a director/producer I highly
respect for his love of the medium of film and respect for his actors
and crew. These professionals and many others in my mind will keep
pushing Utah higher up the list of good films being made in this
state.
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Gavin:
What's your take on other film festivals and competitions in Utah
and what they do for the film community?
Mario: Forging
a relationship with other festivals has been a major hinge pin in the
marketing of the SHIFF. Four festivals and film competitions have
embraced a relationship with SHIFF seeing the future of an allegiance
between those who are trying to do the same thing. We all are trying
to give a platform for filmmakers and bring professionals together.
What this does for the community is make it stronger. Producers of
these festivals have all stood up and said we should be together for
together we are stronger. I respect each and every person who is
running a film festival in Utah because, let me tell you, it's noy
easy. It is a humongous undertaking, responsibility and a daunting
task that one person can noy do. It takes the community to pull off a
film festival, making a film, running a competition, running a music
festival, community event, is very time consuming and most of the
time no one is getting rich off it. Its done because people want to
be a part of something great.
Gavin:
What's your opinion on organizations like the Salt Lake Film Society
and the Salt Lake Film Center and the work they do to bring films to
town?
Mario: I have
complete respect for the Salt Lake Film Society and the Salt Lake
Film Canter. Both bodies are bringing films to Utah that should be
brought and run so many special screenings and events in town that I
can't get to all the ones I want to get to. They are making a
difference. SLFC and their Fear No Film will become a partner with
SHIFF. They have expressed interest and that relationship will build
throughout 2011. the SLFS has been great to work with and they have
been very supportive of the SHIFF. They have been flexible in letting
us use The Broadway and The Tower and ware working with us to produce
a fun and effective film festival. Their relationship with Sundance
is a plus because they absolutely and totally know what they are
doing.
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Gavin:
What can we expect from yourself over the rest of the year?
Mario: For
the rest of the year you can expect to see the name Salty Horror
International Film Festival more and more. We will be staring much
earlier in the year hosting events, promoting filmmakers, sponsoring
other events all leading towards the end game of getting you to
always wait for the SHIFF as many filmmakers and film goers wait for
Sundance Film Festival in January. We want to be the consistent event
in Utah in November hands down. We want to do what we do all year so
everyone has at least heard of the festival and if they wish check
out our awesome horror movies.
Gavin:
Aside the obvious, is there anything you'd like to plug or
promote?
Mario:
Last thoughts go out to the hundreds of hours spent by my amazing
staff who always come through for me. And they don't stop. They give
and they give and it has been a miracle already. I absolutely site
the work of dozens who have stuck with my vision. the SHIFF is not a
one man show. Never has been. Never will be. Twenty-five years ago Robert Redford had people believe in him at the beginning. Every festival on
the planet had its year one. This is ours. And it may not be perfect,
we are learning. But we are close. Now we need the people to come.
We've built it, now we need people to check us out and give us a
chance. I do believe people will have a good time. And we are also
holding a pledge drive of our own. We need donations but you get
things if you donate. Go to IndieGoGo.com
and search Salty Horror International Film Festival, donate what you
can.
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