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A variety of limited releases trickle into the pre-Labor Day weekend, including a timely documentary about media coverage of protests and one of the year's best films.
The Only Living Boy in New York (pictured) takes the basic set-up of
The Graduate and turns it into narcissistic coming-of-age nonsense. The Ferguson, Mo. protests over the police killing of Mike Brown Jr. get an intense you-are-there documentary exploration in
Whose Streets? The faith-based, fact-based drama
All Saints is so low-key Jesus-y—and low-key everything else—that it barely moves the drama needle.
MaryAnn Johanson laments the horrible messages for would-be artists in the animated tale
Leap!
Eric D. Snider praises the cautionary social-media-era satire of
Ingrid Goes West. An apocryphal event in the life of Bruce Lee becomes the dully mediocre
Birth of the Dragon, lacking even any sweet kung-fu action.
In this week's feature review, David Riedel says the exhilarating crime thriller
Good Times is one of the year's best movies.
Also opening this week, but not screened for press: the Bollywood action-romance
A Gentleman.