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One of the advantages of staging a world-premiere play is the ability to treat the material as a blank canvas for creative staging ideas. Pygmalion Productions and director Mark Fossen take that notion quite literally for Melissa Leilani Larson’s Sweetheart Come—and the result is one of the most fascinating pieces of small-scale physical stagecraft on a local stage in recent years.
Avengers: Endgame might continue to dominate at the box office, but new entries this week offer a diverse slate of subjects, from UglyDolls to one particularly ugly human.
