The opening act of Zhang Yimou’s engrossing drama suggests that it’s going to be a political tale, as Cultural Revolution-era escaped dissident Lu (Chen Daoming) complicates the lives of his still-devoted wife, Yu (Gong Li), and his daughter, Dandan (Zhang Huiwen), whose career as an aspiring ballerina might be damaged by association. But the meat of the story involves a jump several years later, as Lu—now released as “rehabilitated”—returns home to discover that a form of dementia has rendered Yu incapable of recognizing him. Zhang and screenwriter Zou Jingzhi, working from Yan Geiling’s novel, build a steady stream of heartbreak around Lu’s attempts to “cure” his wife, while guilt and recrimination infects the relationships between all three family members over the events surrounding that long-ago escape. But it’s the performances by Li and Chen that give
Coming Home its greatest power, conveying both the simple tragedy of being lost in a different world, and the strength required to make peace with that loss, before ultimately making emotional sacrifices when faced with the “worse” part of “for better or worse.”
By
Scott Renshaw